I've been digging the new Hold Steady record, Boys And Girls In America. In Sunday's New York Times, there's a full-page article about their vision of kids and our country, and includes a piece about a Littleton, CO teacher who's used their music in his English class. (That's exactly the think I'd fund via DonorsChoose, if there was such an opportunity--take that, Russo!)
The music is about kids these days, with all their drama and cluelessness, but presented in a way that's both humorous and honoring--lead singer Craig Finn is always respectful, even if his advice is along the lines of "let your boyfriend deal with the dealers." The sex and drugs--and they're all over this record--are presented not to be glorified but as a key part of kids's reality. That student in the back row there? He doesn't care about Newton's Laws or the Catcher In The Rye, but the girls who will be at Friday's party.
And as an educator, I'm struck by this perspective and the respectfulness with which it's brought. It took me several years in the classroom to realize that a key differential between good teachers and great ones is a deep respect for their students on a level that sees their immaturity and desperation for exactly what it is. Great teachers provide help and support without making students fit a particular model or mindset or peculiarly adult vision of who they should be. The Hold Steady are clearly older than the kids they sing about, but their stories have exactly the sort of observant details and underlying respect that great teachers do.